A Grammy Nominated
artist who has performed in all 50 states
and throughout Canada, Bass-Baritone
Kristopher Irmiter is one of the most
sought after low voices in the US and has
appeared with San Francisco Opera, L’Opera
de Montreal, Lyric Opera of Chicago,
Houston Grand Opera, Baltimore Opera,
Atlanta Opera, Pittsburgh Opera, Utah
Opera, Austin Lyric Opera, Opera Lyra
Ottawa, Arizona Opera, and Florida Grand
Opera among many others.
With over 95
performed roles in his repertoire, Mr.
Irmiter has exhibited a vast range both
vocally and dramatically, earning broad
critical acclaim; Opera News - ”a large and
personable presence, his bass-baritone
alternately stentorian and tender”,
New York Times - ”Irmiter
was excellent, richly
expressive.“, Opera Now - ”The anchor of the
performance was the Don Giovanni of
Kristopher Irmiter-dashing stage
presence, acting ability and solid vocal
technique. This is a Don to be watched.”
San Francisco Sentinel - ”Following his
Toreador Song, had this audience been
seated at La Scala, the applause meter
was high enough to opt for an encore.”,
Salt Lake Tribune - ”a masterful
portrayal-Irmiter's charismatic stage
presence and potent bass-baritone only
help him make bad look good.”,
Charlotte Observer - ”enough comic talent
to succeed on his acting ability alone”,
Baltimore Sun - ”his
vocalism as notable for it’s security
and tonal weight as for an abundant
variety of phrasing”,
SanDiego.com - ”a
warm, well-projected vocalism whose
clarity of understanding needed no
assistance from the supertitles”.
Recent successful
portrayals include Scarpia in Tosca with
Lyric Opera of Chicago, Escamillo in
Carmen with San Francisco Opera,
Mephistopheles in Faust with Utah Opera,
Figaro in Le Nozze di Figaro with Portland
Opera and Opera Carolina, the title role
in Der Fliegende Hollander with Arizona
Opera and Alaska Opera, the Villains in
Les Contes d’Hoffmann with Opera Lyra in
Ottawa, Kurwenal in Tirstan Und Isolde
with Florentine Opera, Alidoro in La
Cenerentola with Austin Lyric Opera, and
appearances with Atlanta Opera, Utah
Opera, Opera Omaha and Lyric Opera of
Kansas City in the lead role of Rucker
Lattimore in Carlisle Floyd’s Cold Sassy
Tree. Upcoming for Mr. Irmiter
include return engagements to San Diego
Opera in Assassinio nella Catedrale, Boris
Goudonov with Utah Festival Opera, Flight
with Austin Lyric Opera, and Faust with
Opera Baltimore.
Having particular
success as Olin Blitch in Susannah, Mr.
Irmiter made his Canadian Opera debut with
Opera Ontario in this role. Susannah
was also the vehicle of his debut with
Houston Grand Opera. Under the baton
of Richard Bonynge he made his Opera
Pacific debut as Sulpice in The Daughter
of the Regiment. A frequent guest
artist with Florentine Opera, his debut
there as Schaunard in La Boheme was
quickly followed with returns as Matheiu
in Andrea Chenier, James Vain in the
American Premier of The Picture Of Dorian
Gray, and Sharpless in Madama
Butterfly. Additionally, he has
appeared as Oscar Hubbard - Regina with
Florida Grand Opera, as Papageno - Die
Zauberflote with Baltimore Opera, with
Portland Opera as the Secret Police Agent
- The Consul, Lodovico in Otello with
Atlanta Opera and Escamillo in Carmen with
The New Jersey Opera Festival. At
Opera Memphis, Mr. Irmiter has sung the
title role in Gianni Schicchi and the same
character in the world premier of Michael
Ching’s sequel, Buoso’s Ghost. He
has also performed the title role in
Le Nozze di Figaro and Leporello in Don
Giovanni with this company.
Leporello was the role of his Hawaii Opera
debut, his debut at Baltimore Opera was as
Zuniga in Carmen and his Atlanta debut was
in Madama Butterfly.
Mr. Irmiter’s
orchestral engagements have included
appearances with the Greater Bridgeport
Symphony, Charlotte Symphony Orchestra,
Mississippi Symphony, New Bedford
Symphony, Chattanooga Symphony and the
Asheville Symphony, performing Messiah,
Verdi’s Requiem, The Creation, Beethoven's
Ninth Symphony, the Rossini Stabat Mater,
and Mozart’s Requiem. He was a two
time Regional Finalist in the Metropolitan
Opera Auditions and winner of the Leonardo
da Vince award in San Francisco.
In addition to his
accomplished performing credits Mr.
Irmiter has a strong and growing
reputation as a teacher and mentor to
young singers. He developed the
pilot young artist program for The Green
Mountain Opera Festival in Vermont and
served as the director of that program in
it’s inaugural year. He has
conducted master classes for the Utah
Opera Young Artist Program, the University
of Texas, the University of Memphis,
Queens University, Portland State
University and the University of South
Carolina. In his years as adjunct
faculty with Winthrop University Mr.
Irmiter taught voice and opera workshop,
and has maintained a private studio for
more than 15 years. In 2010 he
designed and led the establishment of the
Opera Carolina Academy and currently
serves as Academy Director. Mr.
Irmiter recently joined the music faculty
of Catawba College and resides in the
Charlotte area with his wife and two sons.